stutklit Claude field research
A researcher arranging blank index cards on a studio wall under a warm lamp

Claude · Synthesis

Write the sentence a buyer would repeat in the room you are not in

Positioning, in this guide, is not a slogan workshop and not a total-addressable-market slide. It is a compression of evidence: the job, the real alternative, and the friction you are willing to be known for.

What you are allowed to compress

Bring three piles onto the table. Verbatim lines from decision language. Friction names that survived more than one decision, with exceptions attached, from purchase friction. Artifacts you actually saw, from market observation. If a pile is empty, you are not ready to synthesize. You are ready to decorate.

A working sentence has a job, a stake, and a constraint. One shape that survives contact with a buying group: “We need a way to ____ so that ____ stops happening when ____.” Fill it with their nouns. If the only way to finish the sentence is “so that ROI improves,” you have left the evidence. Return to the stall. Often the stake is narrower and sharper: the Monday meeting stops relying on a queue, the security packet stops asking a question your architecture cannot answer, the night shift stops inheriting a tool nobody trained.

Name the alternative they actually used

Positioning against a category label (“unlike legacy platforms”) is usually a comparison the buyer did not make. Ask which options were really on the table: the incumbent contract, an internal script, a services firm, a spreadsheet with a deputy’s name in the corner, or doing nothing until the fiscal year turns. The sentence should make that alternative visible. A buyer who hears their real option described will correct you if you are wrong. That correction is the test. Applause in a brand workshop is not.

Read the sentence aloud and ask what is wrong with it. Defend nothing for the first two minutes.

A short path from notes to a line

  1. Choose one friction you can illustrate with a sentence and an artifact. Leave the others in an appendix.
  2. Underline the buyer’s nouns. Do not upgrade them to category jargon.
  3. Write the alternative beside the sentence so a reader sees what you are not pretending to replace.
  4. Add the limit: which roles said this, which you did not hear, and that the set is not a representative sample.
  5. Read it back to someone who can refuse a purchase, not only to the champion who hopes you are right.
  6. Keep the version they repeat, even if it is plainer than the line your site prefers.
An evening desk with three paper stacks and a lamp, prepared for synthesis

Lines this guide will not bless

“Proven ROI.” “Trusted by leading enterprises.” “Most decision-makers.” “The only platform that.” Each of these smuggles a measurement or a census you did not run. A quote may contain one of them. A quote is attributed to a person and a context. The moment it becomes the headline of a market, you have changed genres. stutklit’s Claude notes stay in the first genre: a field claim with its vantage point attached.

If legal or a regulator is the blocker you heard, do not synthesize that into a promise of compliance. Synthesize the artifact they asked for and the fear attached to signing it. The touchpoint, not the adjective, is what another buyer will recognize. Revisit touchpoint fieldwork if the sentence floats free of any document or meeting.

Field notes by email

A note when the next synthesis is up

stutklit writes occasionally. The list is the address you type here, and the reply path is [email protected].

If the piles are thin, go back to the room

Synthesis cannot repair a sample made only of friendly champions. Redesign the access before you redesign the headline.